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Your entire job until the day you start filming is to get someone to say yes, to give you money to make your movie. You know, I think it’s a challenge for all of us in the business. What’s your take on the impact of the streaming giants on the cinema business? Locarno this year opened on August 4 with a film, Ferdinando Cito Filomarino’s Beckett starring John David Washington, that has been picked up by Netflix and will go out worldwide a week after it premiered here. I learned how not to waste time or resources.
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It was most important primarily for my television career and doing documentaries because I learned how to make films on schedule, on a budget, and very quickly. That’s not the kind of experience that you really have these days. I was working at the lab, back when we were shooting on film, so I learned all about the post-production and sound process.
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I was working with the editors in post-production and I was doing notes on the director’s cuts. And then, within a couple of movies, I was the assistant production manager.įrom there, I became a line producer while at the same time going back in-between films to the office where we were developing stories and screenplays. I was a second assistant director because Roger wasn’t a signatory to the guilds. No, he started me off as a production assistant. I’d run a department and then I was going to produce. That’s the kind of preparation for a career as a producer that you just can’t get anywhere else.Īnd Roger didn’t have me transition laterally from running the marketing department to producing a movie, which I have to admit I thought that was going to happen. For a while I was head of, well I was the marketing department, at New World Pictures.
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So to me, that would be following in the family’s footsteps.īut at Roger Corman’s, you literally did everything. Interestingly, my mother had been a secretary to Jack Dawn, who was head of the makeup department at MGM back in the day. I thought I was going into an interview to be an assistant for him, and for other people in the industry, probably for life. Well, I think the first thing really is that if you consider going back to 1978, that not only did Roger Corman hire me as a woman, but in our very first interview he asked me what I wanted to pursue as a career. What did you learn coming up that way, in the trenches of the B-movie business? You started your career with Roger Corman’s New World Pictures. Locarno is honoring you for your life’s work. The Hollywood Reporter‘s European Bureau Chief Scott Roxborough caught up with Hurd in Locarno to talk about pioneering the “female gaze” in action movies, speculation on the streaming revolution and if The Walking Dead could be made today, and exploring why every would-be producer should start off in the B-movies business. Jean-Marc Vallee, 'Dallas Buyers Club' and 'Big Little Lies' Director, Dies at 58